In short, it's a beautiful collection of both classical and modern art that is 100% royalty free and available for any use you'd like. It was also about this time that I came across the Rijks Museum's online art collection. So I combed through Google's vast library and tested hundreds of font combinations, from their most famous and top fonts like the Roboto font, Railway font, Montserrat font, Lato font, Oswald font, Lobster font, and more, to more obscure, funky ones you may have never even seen before this post. I wanted to assemble Google font pairs that even I would have trouble turning down. I wanted to create the best font pairings Google has to offer that even high-end agency designers would be tempted to use. Until now.Ī while ago, my partner and co-founder of Reliable, David Tendrich, challenged me to do something about it. They sort of broke us out of the standard web fonts and web safe fonts we were all chained down to a few years back of Arial and Verdana and even the Times New Roman font (remember those days? Can you believe they were just a few short years ago?).īut because of that feeling of something "lacking" - I've stayed away from Google fonts. Can you relate?Īgain, I love the concept of Google font pairings: the fast download of cool fonts (and even cute fonts) from their high-speed library is great, and has brought far more unique, web friendly fonts and font pairs to the internet than ever before. When compared to classics like Futura, Bodoni, Garamond - even Helvetica - they just fall short, and I rarely, if ever, end up using them. I have to be honest - I love the concept of Google fonts, but I find the execution to always be somewhat.
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